Fresh, funny, intelligent, and deeply satisfying.
Myers’ lively comic novel focuses on the raw passions of four women, not for men or each other—well, maybe those too—but mostly for the physical experience of archaeology, the grueling grunt work of a hot summer dig.
The dig in question takes place in Greece under the auspices of autocratic Dr. Charles Barton, from an unnamed university. Zara, Kara, Elise, and Patty arrive with different skills and expectations. Patty, a clueless undergraduate intern who knows nothing about archaeology, has become Barton’s spy and general whipping girl. Zara had a wonderful experience in Greece as an undergrad on the dig six years ago until she broke up with her grad student boyfriend, Gary, now a committed archaeologist. She’s drifted through various botched jobs and boyfriends ever since. Aware that Gary will be there, she joins this year’s dig on a desperate whim. But Gary is engaged to ambitious, high-strung perfectionist Kara, who was also on Zara’s first dig and now runs the site lab; she’s worried that her goal of a job at Sotheby’s could be derailed if she doesn’t find two missing discuses for which she’s responsible. Eccentric, independent 44-year-old Elise lacks academic credentials but is highly respected as an adept professional excavator. She and Kara blame each other for a loss suffered several years earlier, a small but valuable statue Elise found and Kara restored before it was supposedly destroyed by an earthquake. Is there a connection between the discuses and the statue? Maybe. Myers gives the angst-ridden, imperfect women entertainingly distinct voices and personalities. The men are fun too, both the appealing ones and the creeps. (And then there’s the voice of the buried.) Desires collide and relationships realign rapidly as the dig begins to go awry. Myers is adept at academic satire with a feminist bent and at unsentimental romance, but she really shines at bringing to life a working excavation: the smells, the grime, the exhaustion. And the exhilaration.
Fresh, funny, intelligent, and deeply satisfying.Pub Date: July 4, 2023
ISBN: 9780063304512
Page Count: 288
Publisher: HarperVia
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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