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THE LOST YEAR

A moving presentation of a long-suppressed piece of history.

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A 13-year-old boy trapped indoors by Covid-19 uncovers a dark family secret leading back to the Holodomor, the early 1930s Ukrainian famine caused by Stalin’s policies.

When the pandemic shuts down the world in 2020, Matthew is more isolated than most kids. His journalist father is stuck in Paris, and since his mom has moved GG, his frail, 100-year-old, Ukrainian immigrant great-grandmother, in with them, protecting her means Matthew can’t see his friends. Matthew starts helping GG sort her boxes of keepsakes, gradually piecing together a story that’s also told from the points of view of Mila, the privileged daughter of a Communist Party member, and Helen, the daughter of Ukrainian immigrants living in Brooklyn. When Helen’s cousins write to say they are starving, she secretly mails them her father’s cherished gold cross. Meanwhile, in Kyiv, Mila encounters a starving girl who claims to be her cousin Nadiya. Mila is a strong supporter of Papa Stalin, but her efforts to help Nadiya ultimately open her eyes to the truth about his regime—as well as endangering her own life. Marsh’s intertwining narratives ground the story of the Holodomor—which affected her own family—within a historical framework while leading up to a completely believable and emotionally powerful conclusion. A strong subplot discusses journalistic integrity and how one powerful man managed to keep the truth of the Holodomor hidden for years.

A moving presentation of a long-suppressed piece of history. (author’s note) (Historical fiction. 9-14)

Pub Date: Jan. 17, 2023

ISBN: 978-1-250-31360-7

Page Count: 368

Publisher: Roaring Brook Press

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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HOLES

Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this...

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Sentenced to a brutal juvenile detention camp for a crime he didn't commit, a wimpy teenager turns four generations of bad family luck around in this sunburnt tale of courage, obsession, and buried treasure from Sachar (Wayside School Gets a Little Stranger, 1995, etc.).

Driven mad by the murder of her black beau, a schoolteacher turns on the once-friendly, verdant town of Green Lake, Texas, becomes feared bandit Kissin' Kate Barlow, and dies, laughing, without revealing where she buried her stash. A century of rainless years later, lake and town are memories—but, with the involuntary help of gangs of juvenile offenders, the last descendant of the last residents is still digging. Enter Stanley Yelnats IV, great-grandson of one of Kissin' Kate's victims and the latest to fall to the family curse of being in the wrong place at the wrong time; under the direction of The Warden, a woman with rattlesnake venom polish on her long nails, Stanley and each of his fellow inmates dig a hole a day in the rock-hard lake bed. Weeks of punishing labor later, Stanley digs up a clue, but is canny enough to conceal the information of which hole it came from. Through flashbacks, Sachar weaves a complex net of hidden relationships and well-timed revelations as he puts his slightly larger-than-life characters under a sun so punishing that readers will be reaching for water bottles.

Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this rugged, engrossing adventure. (Fiction. 9-13)

Pub Date: Sept. 1, 1998

ISBN: 978-0-374-33265-5

Page Count: 233

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2000

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REFUGEE

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.

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In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.

Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)

Pub Date: July 25, 2017

ISBN: 978-0-545-88083-1

Page Count: 352

Publisher: Scholastic

Review Posted Online: May 9, 2017

Kirkus Reviews Issue: June 1, 2017

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