by Kathryn D. Sullivan ‧ RELEASE DATE: Nov. 19, 2019
A smooth delivery of the nit and grit behind the success of the Hubble.
A retired astronaut’s memoir of that most celebrated eye in the sky, the Hubble Space Telescope.
Hubble has only improved with age, being inherently maintainable in design and open to innovation since its deployment in 1990. Though it was ridiculed when its initial photographs were unrefined, it has since been fixed and upgraded multiple times, with amazing results. Sullivan, the first American woman to walk in space, was on the shuttle involved in deploying the Hubble, and she spent years on the design and capabilities of the telescope. Her motives for writing this book were to bring to light the practical reality of tending to a telescope in orbit and to show what it took in terms of experimentation—tools, support equipment, operating procedures, etc. She also wanted to sing the praises of the engineers and astronauts who invented, produced, and tested all the maintenance features of the telescope. As a participant in and observer of the events, Sullivan had a prime seat to the thinking that goes into what makes something maintainable: “able to be sustained or restored to proper operating condition.” She clearly describes the taxing innovation and training involved, which included such rigors as reliability analysis, predictive maintenance modeling, and basic principles of human factors engineering in assessing every dimension of every component on the telescope. In the process, she delves into the history of the space shuttle, chronicling its many highs and the lowest of its lows, the Challenger tragedy of 1986. As a participant, it was Sullivan’s job to embark on a space walk to the telescope should anything go awry during its deployment, and she spent years in preparation for such an event. Throughout the narrative, her easy hand with details and infectious enthusiasm make for a winning combination.
A smooth delivery of the nit and grit behind the success of the Hubble.Pub Date: Nov. 19, 2019
ISBN: 978-0-262-04318-2
Page Count: 248
Publisher: MIT Press
Review Posted Online: Sept. 10, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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by Kathryn D. Sullivan & Michael J. Rosen ; illustrated by Michael J. Rosen
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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