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THE HALF-A-MOON INN

Paul Fleischman, who wrote last year's sentimental Birthday Tree, is more successful (if not much more original) with this atmospheric story of a mute 12-year-old boy held as a prisoner/servant by a thieving, sinister old innkeeper. Aaron has wandered from home in search of his mother, who has failed to return from market during a bad blizzard. He is picked up by a good-natured rag man, but the man is illiterate, and so can't read Aaron's notes or comprehend the situation. When Aaron leaves the man's wagon to find help at an inn. he ends up in the clutches of frightful Miss Grackle—who reads his dreams, makes soup of his boots so he can't run away, and forces him to join her at night in the guests' rooms, where she peels back their eyelids and peeks in at their dreams, hoping some day to catch out a man rich enough to hold for ransom. (Ordinarily, she just picks their pockets.) This dream-reading bit is a good touch, and there are others—such as the curse that leaves Miss Grackle unable to light her fire, and eventually leaves her frozen to death with a bandit captive she thinks is a prince. Otherwise, if this is little more than an exercise in handling very old conventions, Fleischman has learned to wield the conventions most proficiently.

Pub Date: March 5, 1980

ISBN: 0812497643

Page Count: 88

Publisher: Harper & Row

Review Posted Online: April 24, 2012

Kirkus Reviews Issue: March 1, 1980

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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AFTER THE FALL (HOW HUMPTY DUMPTY GOT BACK UP AGAIN)

A validating and breathtaking next chapter of a Mother Goose favorite.

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Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.

An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.

A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62672-682-6

Page Count: 45

Publisher: Roaring Brook Press

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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