by Kazumi Yumoto ‧ RELEASE DATE: April 19, 1999
In lyrical scenes, Yumoto (The Friends, 1996) traces the transformation of a Japanese girl to young womanhood. The summer before she enters junior high, Tomomi and her younger brother, Tetsu, try to escape their strained family life by wandering the streets, looking for dead cats with which Tetsu can torment their hostile elderly neighbor. They meet a woman whose mission in life is to feed abandoned cats and slowly develop compassion for the hungry animals. Dispersed throughout the novel are Tomomi’s fearful dreams; she is angry that she must grow up and fights it all the way. Her grandfather, in his hobby of fixing broken things, understands that there is pain associated with growing up, and offers Tomomi refuge. Her epiphany comes when the hate-filled neighbor collapses in front of her, and she—realizing the dangers of such hatred—calls the ambulance that will save his life. The book’s frequently shifting scenes reflect the confusion of young adolescence; from this disorientation Yumoto pieces together element after element, which eventually resolve into a portrait of hope. (Fiction. 12-14)
Pub Date: April 19, 1999
ISBN: 0-374-37153-9
Page Count: 166
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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by Kazumi Yumoto ; illustrated by Komako Sakai ; translated by Cathy Hirano
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by Kate DiCamillo ‧ RELEASE DATE: March 1, 2001
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
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by Kate DiCamillo ; illustrated by Júlia Sardà
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BOOK TO SCREEN
by Ann Cameron ‧ RELEASE DATE: March 9, 2000
Fans of Cameron’s Huey and Julian stories (More Stories Huey Tells, 1997, etc.) are in for a treat as Gloria, their friend from those tales, gets a book of her own and graciously allows the two brothers to share it . In the first tale, Gloria makes a wonderful card for her mother, but the wind blows it away and it ends up in the cage of a cantankerous parrot. Thanks to Mr. Bates, Huey and Julian’s dad, the day is saved, as is the burgeoning friendship that Gloria and the boys have struck up with new neighbor Latisha in the story, “The Promise.” In another story, Gloria has to deal with a huge problem—fractions—and this time it’s her dad who helps her through it. Mr. Bates proves helpful again when the group trains an “obsessed” puppy, while Gloria’s mother is supportive when Gloria is unintentionally hurt by her three best friends. The stories are warm and funny, as Gloria, a spunky kid who gets into some strange predicaments, finds out that her friends and wise, loving adults are good to have around when trouble beckons. Great fun, with subtly placed, positive messages that never take center stage. (b&w illustrations) (Fiction. 8-12)
Pub Date: March 9, 2000
ISBN: 0-374-32670-3
Page Count: 93
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
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by Ann Cameron & illustrated by Lauren Castillo
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by Ann Cameron & illustrated by Lis Toft
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