by Keith Brockett ; illustrated by Joseph Cowman ‧ RELEASE DATE: Sept. 1, 2015
This adroit amalgamation of two beloved Christmas stories will be best appreciated by children already familiar with both...
A Christmas Eve performance of The Nutcracker ballet runs amok with multiple mishaps but is saved in the nick of time by the arrival on set of Santa Claus and his elves.
The familiar rhyme and rhythm of “The Night Before Christmas” serve as the structure for this clever melding of two beloved holiday stories. An all-child cast is about to perform The Nutcracker, but the day of the performance is filled with mishaps, from torn tutus to sick stagehands to a broken nutcracker. Santa and the elves fix everything and even lend the sleigh and reindeer to the Sugarplum Fairy to use in the performance. The play is performed on Christmas Eve, and Santa steps on stage during curtain calls for “a rollicking round of applause.” Large-format illustrations with a double-spread format and horizontal orientation ably capture the backstage and onstage scenes. The multiethnic children who make up the cast seem a little too young to be putting on The Nutcracker, but the roly-poly kids are undeniably cute in their mouse and flower costumes. Two final pages include a plot summary of The Nutcracker and a glossary of ballet terms.
This adroit amalgamation of two beloved Christmas stories will be best appreciated by children already familiar with both tales rather than as an introduction to The Nutcracker ballet. (Picture book. 4-7)Pub Date: Sept. 1, 2015
ISBN: 978-1-58536-889-1
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
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by Keith Brockett ; illustrated by Ashley King
by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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