Next book

THE UNQUIET PAST

From the Secrets series

A compelling mystery unevenly executed.

An orphan with visons seeks her past in a Gothic 1964 Quebec.

Sixteen-year-old Tess (for Thérèse) has always wanted to travel, but that doesn't mean she wants to be forced from her home. When the Benevolent Home for Necessitous Girls in Ontario burns down, she's turfed out with a bare-bones clue ("Each of you seven older girls has something from your past," explains the matron, linking this novel to the other six books in the Secrets series). Armed with a disconnected phone number and an address in rural Quebec, Tess braves the train, bothered only by the ghosts she's seen all her life. The address holds no easy answers to either her past or her visions; it's merely a photogenic abandoned mansion, filled with crumbling psychiatry books and long since ravaged by locals. Her investigation of the ruin is interrupted by a hostile squatter, who threatens her with violence. Jackson disbelieves Tess' tale though he refuses to explain his own secrets as a broke, filthy teenager who's exceedingly well-spoken in both French and English—often to the point of irritating pedantry. Tess' visions and their findings in the creepy basement lead her to suspect pulp-novel medical shenanigans, which themselves devolve into a frankly absurd deus ex machina conclusion. Unlike the cackling villainy of the back story, the realistic landscape of racist microagressions that plague Métis Jackson is heartbreakingly matter-of-fact.

A compelling mystery unevenly executed. (Historical fiction. 12-14)

Pub Date: Sept. 29, 2015

ISBN: 978-1-4598-0654-2

Page Count: 264

Publisher: Orca

Review Posted Online: June 28, 2015

Kirkus Reviews Issue: July 15, 2015

Next book

UP FROM THE SEA

It’s the haunting details of those around Kai that readers will remember.

Kai’s life is upended when his coastal village is devastated in Japan’s 2011 earthquake and tsunami in this verse novel from an author who experienced them firsthand.

With his single mother, her parents, and his friend Ryu among the thousands missing or dead, biracial Kai, 17, is dazed and disoriented. His friend Shin’s supportive, but his intact family reminds Kai, whose American dad has been out of touch for years, of his loss. Kai’s isolation is amplified by his uncertain cultural status. Playing soccer and his growing friendship with shy Keiko barely lessen his despair. Then he’s invited to join a group of Japanese teens traveling to New York to meet others who as teenagers lost parents in the 9/11 attacks a decade earlier. Though at first reluctant, Kai agrees to go and, in the process, begins to imagine a future. Like graphic novels, today’s spare novels in verse (the subgenre concerning disasters especially) are significantly shaped by what’s left out. Lacking art’s visceral power to grab attention, verse novels may—as here—feel sparsely plotted with underdeveloped characters portrayed from a distance in elegiac monotone. Kai’s a generic figure, a coat hanger for the disaster’s main event, his victories mostly unearned; in striking contrast, his rural Japanese community and how they endure catastrophe and overwhelming losses—what they do and don’t do for one another, comforts they miss, kindnesses they value—spring to life.

It’s the haunting details of those around Kai that readers will remember. (author preface, afterword) (Verse fiction. 12-14)

Pub Date: Jan. 12, 2016

ISBN: 978-0-553-53474-0

Page Count: 272

Publisher: Crown

Review Posted Online: Sept. 15, 2015

Next book

MAPPING THE BONES

Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.

A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).

Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.

Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)

Pub Date: March 6, 2018

ISBN: 978-0-399-25778-0

Page Count: 432

Publisher: Philomel

Review Posted Online: Dec. 20, 2017

Kirkus Reviews Issue: Jan. 15, 2018

Close Quickview