by Kenneth Oppel ‧ RELEASE DATE: May 1, 1993
A well-realized world of rotting docks and ramshackle buildings on the shore of a polluted lake forms the setting for this haunting character study. Summoned by his brilliant but frail brother Sam, Paul leaves his comfortable suburban neighborhood for unsavory Watertown—and finds that both he and his brother are being hunted by the quasi-legal Cityweb: Sam has discovered a mutated microorganism in the lake that, though eventually toxic, greatly enhances physical ability. But despite plenty of danger, narrow scrapes, and a lurid, violent climax, outward events seem almost incidental compared to Paul's inner struggles. Once complacent in his role as protective older brother, he's angry to see Sam growing up and away from him and racked by guilt to feel so; his turmoil increases when he meets a new Sam—preternaturally fast and strong, exultantly freed from his former metabolic disorder. Oppel explores the brothers' dependent love-hate relationship with some sensitivity, though the confessional tone gets heavy at times. Glamorous but deadly, the microorganism is like a drug, so the story can be read on that level, too; indeed, Oppel adds a subplot involving a streetwise young Watertowner searching for her lake water-addicted mother. A thoughtful story with an unusual combination of ingredients. (Fiction. 12+)
Pub Date: May 1, 1993
ISBN: 0-316-65102-8
Page Count: 152
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1993
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by Lois Lowry ‧ RELEASE DATE: April 1, 1993
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
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by Lois Lowry ; illustrated by P. Craig Russell
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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