Not for everyone, this heady novel is worthy of study alongside existentialist works of the 20th century.
Knocked unconscious and kidnapped, 16-year-old Linus wakes alone in a small, windowless, concrete building.
The only way in or out is a lift that comes, empty, twice a day. With no food and no contact with his captor, Linus begins a journal. On the third day, a 9-year-old girl named Jenny appears, and food is finally delivered. Over several days, four more captives arrive, all adults, including a big, burly junkie, an uptight young businesswoman and a middle-aged businessman. Last to arrive is Russell, a famous philosopher who’s dying of a brain tumor. In a setting reminiscent of Jean-Paul Sartre’s No Exit, this suspenseful, riveting winner of the 2014 Carnegie Medal explores existentialism through the different stages of life embodied by the six characters. Jenny wonders what they’re being punished for and why their captor is so bad. Linus wonders why they are there and what their captor wants. He notices that the clocks are being manipulated and ponders what past, present and future mean when you’re captive and dependent on an all-powerful “Man Upstairs” for life’s essentials. Wise Russell, the only character of color, calmly works out where they must be and helps the others see the humanity in themselves and each other. Brooks’ latest is not an easy novel, but it’s one that begs for rereading to suss the intricacies of its construction of plot, character development and insight into the human condition.
Not for everyone, this heady novel is worthy of study alongside existentialist works of the 20th century. (Fiction. 14 & up)Pub Date: March 1, 2015
ISBN: 978-1-4677-5420-0
Page Count: 264
Publisher: Carolrhoda Lab
Review Posted Online: Dec. 5, 2014
Kirkus Reviews Issue: Dec. 15, 2014
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Black is building a complex mythology; now is a great time to tune in.
Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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