An imaginative take on galactic empires with relevant social commentary.
Siblings living in New Jersey during the reign of Queen Mathilde become embroiled in lunar politics.
Twelve-year-old Max and his younger sister, Molly, are orphans who spend their days toiling away in a quarry. When an older Black man appears, the two learn they have a mystical heritage. He directs them to seek a special map and follow it—and the map ultimately sends them all the way to the moon. There, they find many strange and wonderful creatures, who are embroiled in conflicts of their own. Max and Molly might be the key to saving the moon and the Earth—if they can uncover the secrets of their past in time. The siblings, who have light-brown skin, black hair, and unusual turquoise eyes, are biracial, something that’s established by the racial slurs the white quarry manager flings at them. Their earthly society is deeply divided by race, and when they reach the moon, they find there are other ways that beings divide themselves and perpetuate inequalities. Both the illustrations and episodic plot evoke a retro storytelling aesthetic. This adventurous tale is bizarre, entertaining, and grounded in relationships: Molly searches for kindness, and Max fights to protect her. Although this is a satisfying story without the adrenaline-filled incidents or lengthy worldbuilding that the genre often contains, there’s a mismatch between the protagonists, whose behavior feels very young, and some of the more mature content.
An imaginative take on galactic empires with relevant social commentary. (map) (Graphic science fiction. 11-14)Pub Date: Aug. 12, 2025
ISBN: 9798875000751
Page Count: 428
Publisher: Fantagraphics Books
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
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