Still called “Toddie” (though now he looks more like a preschoolah), the Bunyanesqe Mainer first met in The Wicked Big Toddlah (2007) tours the Big Apple—both with and without his normal-sized parents. Awed by the city’s scale even though he himself is tall enough to brush Grand Central Station’s starry ceiling, Toddie enjoys a Yankees game (“HOMAAH!”) but loses his parents when the train they are on pulls out during a moment of distraction. He suffers momentary pangs but then enjoys an afternoon playing in Central Park and environs with ant-sized fellow urchins. At last he does the King Kong thing to find his errant custodians (who get all the way to the Brooklyn Bridge before they realize they have lost their towering son). The next morning he wades out to the Statue of Liberty before taking a seat on (literally) the train home. Hawkes decks his gargantuan tourist out in loud summer casuals topped by a red buffalo-plaid wool cap, surrounds him with crowds that take even less notice of him than his parents do and finishes off the lark with a bit of goofery as Toddie is forced to return a certain oversized “souvenir.” A memorable excursion for city residents and would-be tourists alike. (Picture book. 5-7)
Pub Date: April 5, 2011
ISBN: 978-0-375-86188-8
Page Count: -
Publisher: Knopf
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: March 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be...
In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip.
The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface.
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)Pub Date: March 1, 2003
ISBN: 0-689-85116-2
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina...
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up.
Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields.
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
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