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HOOTENANNY!

A FESTIVE COUNTING BOOK

Mixed-media illustrations feature cartoon owls with a variety of clothing and accessories. Extending across each double-page...

There's a party tonight at the old oak tree, and one, two, three, four, five dancing owls bathe, put on special shoes and hats, collect their instruments and climb up to join the fun.

Mixed-media illustrations feature cartoon owls with a variety of clothing and accessories. Extending across each double-page spread, they show each bird preparing and then joining the group. Appropriate numbers appear as the group enlarges. Drawn on natural brown paper with colored pencils and painted with gouache in trendy colors, some images show the owls’ cozy homes, and some feature a background of an evening sky fading from pink to purple to deep blue. On the last spread, the numbered owls are framed by lights as if on stage. Each of the rap-beat couplets that count off the owls is introduced with a separate explanatory line that stops the flow: "A party's not a party without a happy tune. / 3 cool owls have got the beat. / Now they're ready to hit the street." Adults who try to read the book aloud may find it hard going, although the repetition of the “Hootenanny, hootenanny” chorus between each segment will invite listeners to chant along. This jazzy offering doesn’t quite fit its audience. Even if familiar with folk festivals, children just old enough to begin to associate numbers with objects will find that easier to do without these elaborate extra details.

Pub Date: Aug. 30, 2011

ISBN: 978-1-4424-2273-5

Page Count: 32

Publisher: Little Simon/Simon & Schuster

Review Posted Online: July 5, 2011

Kirkus Reviews Issue: July 15, 2011

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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