Next book

THE MEANEST OF MEANIES

A BOOK ABOUT LOVE

If “being mean…means… // I LOVE YOU!!!” then this kid sure must love her mother. Wouldn’t lots of moms prefer a hug?

A monster enumerates all the ways her mother is mean.

While this blue-skinned child is completely serious in her criticisms of her green-skinned mother, hopefully readers will see similarities to their own moms: Mom wakes the narrator with tickles and coffee breath, waves goodbye at school dropoff, bribes her for conversation, and makes her read books at bedtime (four, not the desired 82). Weirdly, a school-picture-day thread is dropped abruptly in favor of a spelling bee (where Mom cheers). The creators of the podcast #IMOMSOHARD may have their tongues firmly in cheeks, but their child protagonist comes off as an entitled monster. Some adults may find the situations familiar, but few will want this parent-child duo as role models: The child is sassy (“Look, lady, my hands are all busy!”), and the mom is sometimes a doormat (making three breakfasts). Some of the rhymes are rough, and the meter sometimes stumbles. Briggs’ digital illustrations play up the humor in the text while smoothing the rougher edges a bit with a monster cast. Few characters have lifelike skin tones, and all have features that set them apart—varying numbers of appendages or eyes; horns, spines. The girl and her mother share blue hair, horns, and spotted skin; each has two legs and eyes, and the girl has two arms to her mother’s four. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 15% of actual size.)

If “being mean…means… // I LOVE YOU!!!” then this kid sure must love her mother. Wouldn’t lots of moms prefer a hug? (Picture book. 4-8)

Pub Date: March 23, 2021

ISBN: 978-0-06-304055-7

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

Next book

HANSEL AND GRETEL

Menacing and most likely to appeal to established fans of its co-creators.

Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.

In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.

Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)

Pub Date: Sept. 2, 2025

ISBN: 9780062644695

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 15, 2025

Categories:
Next book

PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

Close Quickview