A second novel that’s several cuts above the average thriller, largely because it keeps to a human level and oils its wheels with immensely amusing non sequiturs. Once again, Mills (Rising Phoenix,1997) focuses on a quasi-religious group as a basis for the story’s moral ambiguities. This time, it’s the Church of the Evolution, whose 11 million clean-cut members parallel Scientology’s in paying heavy dues to rise through stages and achieve jealously guarded top status as “clears.” The group in this case is led not by L. Ron Hubbard but by the much more brilliant and human 80-year-old Albert Kneiss. Like Scientology, the Church has its so-called enemies in Germany, but here this is only a publicity ploy to attract Americans devoted to religious freedom. Kneiss, however, the messenger of God who returns to Earth every 2,000 years, is dying—or rather ascending to God—and a replacement leader is needed. This turns out to be Kneiss’s long-hidden granddaughter Jennifer Davis, whose mother is dead but who has been adopted by secret Church members Eric and Patricia Davis. All along, the Church’s business and membership sides have been run by Sara Renslier, Mills’s charismatic villain, who now has Jennifer kidnaped and her “parents” killed before her eyes. Investigating is Mark Beamon, a loose cannon FBI agent who’s been given a post in Flagstaff to run. Overweight, overdrinking Beamon is no beauty but has a very heady IQ and the highest success rate in the Bureau for solving kidnapings. Now, though, he finds himself up against an organization with fantastic powers, with members (like the Mormons) everywhere—in Congress, the Bureau, the police. Soon, his credit cards are turned to zilch, his every move dogged, a painful rumor is spread that he’s a child molester, and news stories appear about his drinking. Even the Bureau’s ready to crush him. Mills shapes his stereotypes with human clay, and excels at one-liners that quickly draw a reader into his spirited storytelling.
Pub Date: Aug. 1, 1998
ISBN: 0-06-101250-5
Page Count: 400
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 1998
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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