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SACAGAWEA’S NICKNAME

ESSAYS ON THE AMERICAN WEST

Though they sometimes have an ephemeral, dashed-off feel, these pieces will please McMurtry fans and be of interest to...

Occasional writings on matters western by a noted interpreter of the region.

Born in the New York Review of Books, these 12 pieces are not so much essays as extended book reviews, a genre in which McMurtry—novelist (Duane’s Depressed, 1999, etc.), essayist (Walter Benjamin at the Dairy Queen, 1999, etc.), memoirist (Paradise, p. 566), bookseller, and bibliophile—is an ascended master. McMurtry notes that good writing about the West has long been the exception rather than the rule, even though the region has produced a flood of books over the last two centuries; this condition, he adds, may be a failure of talent but is more likely a failure of community, for books seem to be less than completely cherished on the still-raw frontier, which, he writes, has quickly devolved from hero-spawning outback to ennui-spawning suburbia. At the top of his list of exceptional works are the journals of William Clark and Meriwether Lewis, full of odd spellings and veiled episodes, which “are to the narrative of the American West as the Iliad is to the epic or as Don Quixote is to the novel”; others are Leslie Silko’s novel Almanac of the Dead, the environmental writings of Edward Abbey, and the lushly inventive Zuni ethnographies of Frank Hamilton Cushing. McMurtry is kind to lesser writers, though he reserves a little venom for a deserving few: “almost any passage in any of Zane Grey’s books makes it cruelly obvious that the man failed to master even the most basic unit of his craft: the prose sentence”; “I feel sure that one reason for the immense, continuing popularity of Louis L’Amour’s works is that he shared no ironies.”

Though they sometimes have an ephemeral, dashed-off feel, these pieces will please McMurtry fans and be of interest to students of the American West.

Pub Date: Nov. 1, 2001

ISBN: 0-940322-92-7

Page Count: 178

Publisher: New York Review Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2001

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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