The charm and quirkiness of its predecessor are spread far too thin in this superficial follow-up.
Soapy sequel to Beginner’s Luck (2003) brings back 17-year-old Hallie Palmer, home for the summer and trying to lose her virginity.
After her freshman year at college, Hallie returns to bucolic Cosgrove County, Ohio. But she doesn’t go back to her family’s overcrowded house, moving in instead with the eccentric crowd at the Stockton estate: mother Olivia, son Bernard, his lover Gil and an alcoholic chimp named Rocky. In three short months, Hallie solves everyone’s problems. First on her list is reconciling the boyfriends. To everyone’s shock, Gil is now dating women; Bernard wallows in grief while staging a Dark Victory marathon. Next in line is reforming Hallie’s little sister Louise, who’s running with a fast crowd, wearing black eye shadow and flunking high school. Our heroine also strives to stave off the imminent bankruptcy of Herb the pharmacist, who’s being undercut by the evil Valueland. And Hallie has problems of her own. She needs to raise thousands for next year’s tuition, and she’s trying to decide whether to have sex for the first time. After all, how does she know he’s the one? (This whole subplot is handled in a manner more appropriate for a juvenile audience.) The plot and the laughably tidy resolution are predictable, but the real failing lies with the all-too-familiar personalities. Instead of developing her secondary characters, Pederson reverts to types: Cappy the rascally bookmaker, Olivia the bohemian matriarch, Ottavio the passionate Italian, Bernard the gay cliché. (He’s an antiques dealer, a gourmand and loves Ethel Merman show tunes.) Apparently she doesn’t think her readers are smart enough for anything subtler; every time someone makes an obvious allusion, the author feels obliged to explain: Hegel is a German philosopher; “Fasten your seat belts, it’s going to be a bumpy night” is from an old Bette Davis flick, etc.
The charm and quirkiness of its predecessor are spread far too thin in this superficial follow-up.Pub Date: July 26, 2005
ISBN: 0-345-47955-6
Page Count: 416
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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