Readers of all ages will easily identify with Ruthie’s trying day.
A child’s big plans for a perfect Saturday are altered by a combination of unforeseeable occurrences.
Like Judith Viorst’s Alexander, Ruthie is not having a good day. Gramma’s flooded basement cancels blueberry pancakes with the family in the morning and flower planting with Papa in the afternoon. When Momma reminds Ruthie about her cousin Buster’s birthday party, Ruthie does not want to go, saying he is mean. She relents, only to have her favorite dress ruined when the washing machine breaks down. Then traffic on the way home from shopping for a present forces her to miss her favorite cartoon, and then she drops the eggs preparing to bake cookies. Exasperated, Ruthie storms out, declaring it to be “the Worst Kind of Day EVER!” The disheartened Ruthie and her mom decide to make wishes on their dandelions—which appear to come true when a very flat tire finally keeps the family home to bake and allows Ruthie to restart her “Best Kind of Day.” Ruined plans are hard for little ones to take, and Rankin creates a believable scenario in which everything going wrong can somehow work out all right. Endearing illustrations of an anthropomorphized fox family depict both the chaos and pathos that are inevitable with this kind of day.
Readers of all ages will easily identify with Ruthie’s trying day. (Picture book. 3-5)Pub Date: May 20, 2014
ISBN: 978-1-59990-052-0
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 2, 2014
Kirkus Reviews Issue: March 15, 2014
Perfect for every underdog who wants to have a say.
A dog-loving child encourages a less-than-enthusiastic younger one to imagine they’re both canines.
From the first declaration—“I’d be a big dog! And you’d be a little one!”—readers know who’s calling the shots. Initially, the protagonists cavort off the page and through the neighborhood together, performing doggy capers such as tail wagging, stick carrying, and dirt digging. But by the time they encounter a multitude of like-minded creatures at the dog park, the disgruntled small pup is exhibiting out-and-out rebellion: “Being a dog is YOUR idea! Sometimes I HAVE IDEAS TOO!” The narrative wraps up with the younger child pretending to be a different animal entirely—cleverly foreshadowed through subtle details in the illustrations. Even the endpapers—lively silhouettes of dogs in the beginning and many different animals in closing—extend the theme to suggest the imaginative possibilities of pretend play. Cheerful, lightly hued colors fit the whimsical mood, while expressive body language allows the art to tell the story with a minimum of words. Ending on a surprising note, with a sweet compromise between the two main characters, the tale gives both kids the freedom to embrace their own preferences and styles—while still enjoying their game.
Perfect for every underdog who wants to have a say. (Picture book. 3-5)Pub Date: Sept. 16, 2025
ISBN: 9780316581721
Page Count: 40
Publisher: Little, Brown
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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