It’s still chick lit, devoid of parental guidance, but it’s lit that will probably deepen some chicks’ understanding of...
A seemingly relentlessly chick-lit novel grows into something deeper as Hannah just can’t get her boyfriends and friendships straight.
The first day of her senior year at high school terrifies Hannah, but readers won’t know why until the book’s flashbacks to the previous summer reveal the reasons for her well-founded fears. Alternating chapters advance both the “first day” and the “summer” stories until they converge in the final emotional scenes. Barnholdt appeals to chick-lit readers with, like, totally believable dialogue between chicks, all the way down to the level of “he goes, then she goes” to describe conversations. Hannah begins the story by learning that her boyfriend has cheated on her and ends with some deceit of her own. The journey between those two events reveals much about contemporary adolescent mores while illuminating Hannah’s character. She overreacts to most problems, greatly concerned with her soon-to-be-demolished reputation. The author reveals Hannah’s best friend Ava’s duplicity, however, through Hannah’s growing realization that Ava often lies. She depicts girls as different and varied, such as Lacey, Hannah’s hypochondriac co-worker and new friend. With the exception of Noah, Hannah’s forbidden love, the various boys in the book, all studly, eventually merge into a blur.
It’s still chick lit, devoid of parental guidance, but it’s lit that will probably deepen some chicks’ understanding of relationships. (Chick lit. 12 & up)Pub Date: July 12, 2011
ISBN: 978-1-4424-1314-6
Page Count: 320
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: May 20, 2011
Kirkus Reviews Issue: June 1, 2011
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.
A family’s secrets rise to the surface as a young man investigates a suspected murder.
Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)Pub Date: Oct. 28, 2025
ISBN: 9781250376299
Page Count: 368
Publisher: Feiwel & Friends
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
BOOK REVIEW
BOOK REVIEW
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