It's likely young readers who pick up this well-made app will be learning about both Bollywood and red pandas for the first...
The adventure of a lost, rare red panda cub trying to find his way home is expertly packed with Indian culture, energetic artwork and engaging characters.
Laloo, who looks more like a fox than a traditional, burly, black-and-white panda, loves bugs, to the puzzlement of those around him. One day, a poacher traps and takes Laloo, but the cub is able to escape. From there, Laloo tries to get back to his family and is aided by a famous dog actor named Scrilla and his friends. The journey is made entertaining by its settings: Laloo crashes the set of a Bollywood movie, runs through a market where the vendors are "selling silk scarves and spicy eggs in sizzling pans," and travels home on a decorated purple train. He also collects bugs he finds along the way; readers tap the bugs to add them to a collection. The text could be cleaner in terms of punctuation and grammar, but the story itself is fun, the narration is sprightly and Laloo's persistent worry that he doesn't fit in is certainly universal. But it's the presentation of life in India that makes the app most worthy of recommendation. The clean, beautifully colored artwork is vibrant and inviting. Laloo's world has lots of characters, perhaps too many for one story. Some barely get a page or two, leaving room for further tales of Laloo and his friends.
It's likely young readers who pick up this well-made app will be learning about both Bollywood and red pandas for the first time—and they will be glad they did. (iPad storybook app. 3-8)Pub Date: Sept. 12, 2012
ISBN: N/A
Page Count: -
Publisher: Laloo LLC
Review Posted Online: Oct. 22, 2012
Kirkus Reviews Issue: Nov. 15, 2012
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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