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THE FAR AWAY BROTHERS

TWO YOUNG MIGRANTS AND THE MAKING OF AN AMERICAN LIFE

One of the most searing books on illegal immigration since Sonia Nazario’s Enrique’s Journey (2006).

Markham relies on her roles as a journalist and a worker in the realm of refugee resettlement and immigrant education to craft a powerful narrative about an experience that plays out every day in the United States.

Focusing primarily on one family’s struggle to survive in violence-riddled El Salvador by sending some of its members illegally to the U.S., the author never loses sight of the big-picture issues regarding immigration. Throughout, she inserts brief chapters about those concerns in a compellingly intimate narrative about the Flores family. Markham keenly examines the plights of juveniles sent to America without adult supervision, a large, constantly growing contingent that includes twins Ernesto and Raúl Flores, who sought to escape their hometown because they feared for their lives among the rampant gang violence plaguing their country. Knowing almost nothing about the U.S., the Flores twins lacked both money for their journey and any marketable job skills, and they spoke no English. Their journey was harrowing, to say the least (spoilers omitted), and their transition to life in the U.S., mostly in Oakland, continues, raising new difficulties each day. As they have tried to balance their minimum-wage restaurant jobs with education, the schooling has suffered. Meanwhile, their parents and most of their siblings continue to live in highly dangerous circumstances in El Salvador. Markham met the twins in her job as a counselor at a public high school with a heavy influx of juvenile refugees without documentation, and her experience in that role informs the eye-opening narrative. Most of the book takes place before the election of Donald Trump, but it’s clear that the policies of the new administration will make the lives of the Flores twins and countless others even more terrifying.

One of the most searing books on illegal immigration since Sonia Nazario’s Enrique’s Journey (2006).

Pub Date: Sept. 12, 2017

ISBN: 978-1-101-90618-7

Page Count: 320

Publisher: Crown

Review Posted Online: June 13, 2017

Kirkus Reviews Issue: July 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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