by Laurence Yep ‧ RELEASE DATE: March 17, 1982
There are monsters aplenty in this novel about an all-round leader type at Loyola High School in San Francisco and his relationship with Chris, an outwardly bold and nasty, inwardly insecure girl who went through parochial school with him and then to public high school. Near the start Charlie is shaken by a poison chain letter, initiated by Chris, who accuses him of smugness and insensitive meddling. When he goes over to protest, she invites him to the movie Repulsion. . . which fascinates Chris but repulses Charlie. How could anyone be so sick? Well, Chris' mother—who has tried suicide, verbally batters her daughter, and (in Chris' view) brought on her husband's fatal heart attack—comes close. You will share Charlie's horror at her trancelike but manipulative performance at a restaurant, sliding a nail file back and forth, back and forth, across the veins at her wrist. Then there is Duane, the twisted little boy hung up on Godzilla, whom Chris, becoming a "meddler" herself, tries to help—but accidentally disillusions by revealing that the monster is played by a human actor. Faced with all this, Charlie is shaken enough to recognize the "monster in the hearts of people everywhere." Kind hearts are harder to come by, but Charlie's own cold and abstract caring has been humanized as a result of his feelings for Chris; and, in return, though she seems unreachable at times, he will help her change her step from a "Godzilla stomp" to something kinder. Though this monster motif is pointed up so emphatically as to seem a calculated scheme, the scheme has its fascination and so do the floodlit characters. One never doubts their urgency, or the blood-freezing tension of their interaction.
Pub Date: March 17, 1982
ISBN: 0060267321
Page Count: 177
Publisher: Harper & Row
Review Posted Online: Oct. 24, 2011
Kirkus Reviews Issue: March 1, 1982
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by Laurence Yep & Joanne Ryder ; illustrated by Mary GrandPré
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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PERSPECTIVES
by Renée Watson & Ellen Hagan ‧ RELEASE DATE: Feb. 12, 2019
A book that seamlessly brings readers along on a journey of impact and empowerment.
A manifesto for budding feminists.
At the core of this engaging novel are besties Chelsea, who is Irish- and Italian-American and into fashion and beauty, and Jasmine, who is African-American, loves the theater, and pushes back against bias around size (“I don’t need your fake compliments, your pity. I know I’m beautiful. Inside and out”). They and their sidekicks, half-Japanese/half-Lebanese Nadine and Puerto Rican Isaac, grow into first-class activists—simultaneously educating their peers and readers. The year gets off to a rocky start at their progressive, social justice–oriented New York City high school: Along with the usual angst many students experience, Jasmine’s father is terminally ill with cancer, and after things go badly in both their clubs, Jasmine and Chelsea form a women’s rights club which becomes the catalyst for their growth as they explore gender inequality and opportunities for change. This is an inspiring look at two strong-willed teens growing into even stronger young women ready to use their voices and take on the world, imploring budding feminists everywhere to “join the revolution.” The book offers a poetic balance of dialogue among the main characters, their peers, and the adults in their lives. The exquisite pacing, which intersperses everyday teen conflicts with weightier issues, demonstrates how teens long to be heard and taken seriously.
A book that seamlessly brings readers along on a journey of impact and empowerment. (resources for young activists, endnotes) (Fiction. 12-18)Pub Date: Feb. 12, 2019
ISBN: 978-1-5476-0008-3
Page Count: 368
Publisher: Bloomsbury
Review Posted Online: Jan. 22, 2019
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