With a plot as thick as gesso, Binet’s latest takes inventive twists to arrive at a satisfying conclusion.
An epistolary novel of art, intrigue, and homicide in Renaissance Italy.
French novelist Binet opens with a familiar trope, declaring that he’s stumbled upon a cache of letters from 1557 and 1558 that “form a tale so compelling that [he] stayed up all night devouring them.” The first letter, from teenage Maria de’ Medici to her aunt, the queen of France, offhandedly announces a mystery: The painter Jacopo da Pontormo is dead, according to her by his own hand. “What a drag!,” she exclaims in an anachronistic turn of phrase when moving on to her real subject, her father’s plan to marry her off. The courtier Giorgio Vasari, writing to Michelangelo at his Roman place of exile, has different news: Pontormo’s body was discovered “with a chisel embedded in his heart,” and with his head bashed in as well. Vasari ventures a theory, Michelangelo counters with another, and other interlocutors, such as Agnolo Bronzino and Cosimo I, the duke of Florence, have their own ideas: Pontormo was killed by an offended beau because he superimposed Maria’s face on a nude Venus; he was done in by zealous nuns who were followers of Savonarola and who, when interrogated, called all painters “degenerate sodomites with bestial morals”; one of Pontormo’s apprentices has killed his notoriously irascible master; and so forth. Vasari, a slippery fellow, turns out to have cat burglar skills as well as a nose for police work, announcing in the language of a modern procedural his conclusion that one suspect “brought together the three elements necessary for a guilty verdict: motive, means, and opportunity.” It’s no Name of the Rose, but Binet’s yarn has plenty of entertaining moments as the would-be detectives rule out suspects and hone in on their quarry.
With a plot as thick as gesso, Binet’s latest takes inventive twists to arrive at a satisfying conclusion.Pub Date: April 8, 2025
ISBN: 9780374614607
Page Count: 272
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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