A deeply satisfying celebration of cultural identity, intergenerational relationships, and delicious sambal.
A young biracial girl looks forward to her Nenek’s visit from Indonesia.
Not only will Lintang meet her paternal grandmother for the first time, but Nenek will be cooking Indonesian food, including her famous sambal. But the chili paste is too spicy for Lintang. Even with reassurance from White-presenting Mama, who tells Lintang she had the same reaction to sambal years ago; Papa; and Nenek, Lintang feels left out. She’s determined to prevail over sambal, but every kind that she tries is too spicy for her. Nenek, who does not speak much English, quietly works to find a sambal that Lintang will be able to easily eat. This cozy story of familial warmth is a treasure. Wen’s digitally edited gouache-and–colored pencil illustrations on hot-pressed paper are bursting with cultural detail, from rattan chairs to the tikar mat on the floor to Nenek’s kebaya, and the Indonesian language is deftly incorporated. Nenek is a lovingly crafted character who’s keenly aware that Lintang feels that not being able to eat sambal means she doesn’t belong—and who helps her forge meaningful connections to her heritage, food traditions, and family. Wen makes clear, too, that despite language and geographic barriers, Lintang and Nenek can communicate in the ways that matter most, and their bond will last far longer than this visit. (This book was reviewed digitally.)
A deeply satisfying celebration of cultural identity, intergenerational relationships, and delicious sambal. (Picture book. 4-8)Pub Date: April 25, 2023
ISBN: 978-0-316-28102-7
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Feb. 7, 2023
Kirkus Reviews Issue: March 1, 2023
A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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