A distinctive, fragmentary story of an artist’s painful coming of age.
A troubled screenwriter reflects on his origins in Gaiter’s literary novel.
Louisiana-born, Harvard-educated Jessie Vincent Grandier III comes to Los Angeles to break into screenwriting. It’s something of an adjustment; Jessie has been raised mostly among the white people on his Black father’s military bases and the upper-class, light-skinned Blacks of his Creole mother’s New Orleans family. Staying with relatives in South LA, he’s exposed to an entirely new Black community—and the culture shock is profound. Just as discombobulating is the realization that Hollywood is not filled with the semioticians of his Ivy League film classes but with businessmen who place little value on art or imagination. When he loses his job as a script reader at a television network, Jessie begins a slide into alcoholism and bitterness. As he does, his memory travels to his childhood as a military brat, the lone boy in a family of five; his failures to live up to his violent father’s standards of masculinity; his attempts, in high school and college, to excel beyond other people’s racist expectations; his relationship with his now-deceased mother, Lulene; his love of music; and the complex emotions he has regarding his own identity as a gay man. Is it too late to become the person Jessie has always wanted to be? Perhaps he is destined to become as embittered and uptight as the man he’s never wanted to emulate: his father. Gaiter’s lively prose presses against the confines of every sentence: “In case you hadn’t noticed,” he addresses the reader midway through, “somewhere along the line, between the vicious, whip-wielding nuns, and Grandier’s military fist, Jessie had developed an aversion to authority, being told what to do, and having others’ assumptions thrust upon him.” The book’s real pleasure is in this dynamic voice rather than the plot, which doesn’t develop so much as accumulate through a series of flashbacks. The text includes occasional news articles, poems, and photographs; together, these shards memorably tell the story of a man attempting to assemble the ill-fitting pieces of a life.
A distinctive, fragmentary story of an artist’s painful coming of age.Pub Date: June 24, 2024
ISBN: 9798990289901
Page Count: 337
Publisher: Legba Books
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
