by Lesa Cline-Ransome & illustrated by James E. Ransome ‧ RELEASE DATE: Sept. 15, 2001
Rich illustrations and a rhyming text create a puzzle for each letter of the alphabet, inviting a young reader to guess what word the letter might represent. Warm-hearted and generous-spirited paintings provide visual answers. The answers are also found in a key at the end. Objects as American as Apples and Pie are utilized and the theme of Quilts sews it all together. A crazy-quilt pattern decorates the endpapers, each uppercase letter of the alphabet is framed as in the square of a quilt, and many of the illustrations are framed as well. With few exceptions, the objects are tangible, and within the experience of pre-schoolers. The few intangibles (Night, Yellow) are unexpected and therefore more difficult to guess. The oversized format and lush illustrations are strongly appealing; color in all of the paintings is rich and saturated. Painterly brush strokes add depth and elegance to the folksy style. Excellent book design features each letter and text in a way that is easy to see without interfering with the illustrations. The weakest element is the rhyming text. Although the clues are generally good, the rhymes are weakened by cliché. At worst, they suggest advertising copy, as for Apples: “Nature’s handpicked treat / Wholesome goodness to the core.” Some are simply confusing, as the tea Kettle “Captures the cold under its lid / And warms you through and through.” Nonetheless, the graphic appeal is so strong that youngsters in groups or on their own should be drawn to the pictures and to guessing the names of the objects. (Picture book. 3-6)
Pub Date: Sept. 15, 2001
ISBN: 0-8234-1453-1
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
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by Lesa Cline-Ransome ; illustrated by James E. Ransome
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: May 16, 2023
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.
The Crayons head back to class in this latest series entry.
Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)Pub Date: May 16, 2023
ISBN: 9780593621110
Page Count: 32
Publisher: Philomel
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
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by Drew Daywalt ; illustrated by Lucy Ruth Cummins
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SEEN & HEARD
SEEN & HEARD
by Michael Whaite ; illustrated by Michael Whaite ‧ RELEASE DATE: April 2, 2019
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...
Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.
The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)Pub Date: April 2, 2019
ISBN: 978-1-9848-4779-9
Page Count: 32
Publisher: Random House
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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