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THE TRUTH AS TOLD BY MASON BUTTLE

Connor’s gift for creating complex characters extends to the supporting characters and makes this a compelling read.

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Under a cloud of suspicion after the death of his best friend, a boy with a “trifecta of troubles” continues as best he can.

Lt. Baird is sure seventh-grader Mason Buttle knows more about the death of Benny Kilmartin than the story he’s told over and over. Now he’s writing it, with the help of speech-recognition software in the school social worker’s office (a process that is reproduced with unlikely accuracy). In a moving first-person narrative, Connor reveals a remarkably distinct and memorable character. Loyal and good-natured, Mason is large for his age, highly dyslexic, abnormally sweaty, and the regular target of bullying neighbor boys. He feels his emotions as colors—green for stress, shades of pink for happiness. There hasn’t been much pink in Mason’s life in the 16 months since Benny’s accidental death, but now there’s a new friend, tiny Calvin Chumsky, and the bullying neighbor’s dog, Moonie, who prefers Mason. Using Mason’s conversations with the detective and his voice-to-text storytelling, the author weaves the back story into a narrative of redemption chronicling his growing friendships. The climactic revelation reveals the gaps in everyone’s understanding of the event and propels his struggling, white, apple-farming family—grandmother, unemployed uncle, and the stray, shopping-addicted young woman his uncle brought home—to make some needed changes.

Connor’s gift for creating complex characters extends to the supporting characters and makes this a compelling read. (Fiction. 9-14)

Pub Date: Jan. 23, 2018

ISBN: 978-0-06-249143-5

Page Count: 336

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Sept. 30, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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GHOST

From the Track series , Vol. 1

An endearing protagonist runs the first, fast leg of Reynolds' promising relay.

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Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.

His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.

An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4814-5015-7

Page Count: 192

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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