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THE RUNAWAY LATKES

This thoroughly delightful story is a Jewish version of the Gingerbread Man. Rebecca Bloom fries “Big and round, crisp and brown” latkes—potato pancakes—for the synagogue’s Hanukkah party. But this batch of Rebecca’s pancakes has an Attitude Problem. They have no intention of being eaten. Off they go, “to see the town, and YOU can’t catch us!” Rebecca knows that she needs all the latkes for the party. She knows that she’ll chase them and she’s sure she can catch them. But the first thing she does is the most practical—she turns off the stove. As the latkes pass the rabbi, the cantor, some boys playing ball, the mayor, and some police officers, they keep singing and rolling. Taunting everyone with their song (which seems to get a little nasty), they approach the wide, cool Applesauce River. If they get wet, they’ll be ruined. But Hanukkah is, after all, a time of miracles. And this modern miracle is that the river turns into applesauce, just the right topping. The illustrations are perfect for the story; the soft colors give everything a gentle touch and the rounded figures echo the runaway pancakes. A good, hand-printed (by Rebecca?) standard latke recipe wraps things up. And, still safety-conscious, the writer reminds us: “If you are under 12, be sure to fry the pancakes with a grownup’s help.” Fun for all. (Picture book. 4-8)

Pub Date: Sept. 1, 2000

ISBN: 0-8075-7176-8

Page Count: 32

Publisher: Whitman

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2000

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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