by Linda Granfield & illustrated by Janet Wilson ‧ RELEASE DATE: Nov. 1, 1996
The 16 lines John McCrae wrote following a friend's death in the Second Battle of Ypres in 1915 survived and flourished in the insanity of WW I, and in this work, continue to evince the same sturdy beauty as do the scarlet poppies blowing in Flanders fields. The poem, ``In Flanders Fields,'' has acquired so much emotional weight it could collapse any book focusing on it. Granfield (Cowboy, 1994, etc.) doesn't let that happen. Her strong, sensitive treatment, with Wilson's matching illustrations, catch the torch thrown ``from failing hands'' and wield it to illuminate the story of not only the poet-doctor, but also the war itself. Granfield deftly interweaves the lines of the poem with informative short essays on life in the trenches, accounts of McCrae's experiences in his field hospital, the burgeoning popularity of poppies as symbols of remembrance, and more. Wilson's paintings beautifully evoke place, time, and incident. The incorporation of black-and-white archival materials, such as postcards, posters, and photographs, adds yet another layer of interest, while maps on the endpapers provide further information. The book revivifies the poem, placing it so well on its feet in its world that it's difficult to think of the classroom in which the book would not be of use. That it is also a beautiful book only expands its appeal. (Picture book/nonfiction. 8+)
Pub Date: Nov. 1, 1996
ISBN: 0-385-32228-3
Page Count: 32
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1996
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More by Linda Granfield
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by Linda Granfield & photographed by Arlene Alda
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by Alyssa Bermudez ; illustrated by Alyssa Bermudez ‧ RELEASE DATE: Aug. 17, 2021
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
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by Andrea Beatriz Arango ; illustrated by Alyssa Bermudez
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by Carmen T. Bernier-Grand ; illustrated by Alyssa Bermudez
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by Pat Mora ; illustrated by Alyssa Bermudez
by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales ‧ RELEASE DATE: Jan. 3, 2023
A refreshed version of a classic that doesn’t hold up to more recent works.
A new edition of late author Zinn’s 2007 work, which was adapted for young readers by Stefoff and based on Zinn’s groundbreaking 1980 original for adults.
This updated version, also adapted by Stefoff, a writer for children and teens, contains new material by journalist Morales. The work opens with the arrival of Christopher Columbus and concludes with a chapter by Morales on social and political issues from 2006 through the election of President Joe Biden seen through the lens of Latinx identity. Zinn’s work famously takes a radically different perspective from that of most mainstream history books, viewing conflicts as driven by rich people taking advantage of poorer ones. Zinn professed his own point of view as being “critical of war, racism, and economic injustice,” an approach that felt fresh among popular works of the time. Unfortunately, despite upgrades that include Morales’ perspective, “a couple of insights into Native American history,” and “a look at the Asian American activism that flourished alongside other social movements in the 1960s and 1970s,” the book feels dated. It entirely lacks footnotes, endnotes, or references, so readers cannot verify facts or further investigate material, and the black-and-white images lack credits. Although the work seeks to be inclusive, readers may wonder about the omission of many subjects relating to race, gender, and sexuality, such as the Chinese Exclusion Act, Indian boarding schools, the Tulsa Race Massacre, Loving v. Virginia, the Stonewall Uprising, Roe v. Wade, Title IX, the AIDS crisis, and the struggle for marriage equality.
A refreshed version of a classic that doesn’t hold up to more recent works. (glossary, index) (Nonfiction. 10-16)Pub Date: Jan. 3, 2023
ISBN: 9781644212516
Page Count: 544
Publisher: Triangle Square Books for Young Readers
Review Posted Online: Jan. 9, 2024
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More by Loren Grush
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by Loren Grush with Rebecca Stefoff
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by Naomi Klein ; adapted by Rebecca Stefoff
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by Bruce Watson ; adapted by Rebecca Stefoff
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