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PLEASE BRING BALLOONS

Enjoy for the subject matter and design, search elsewhere for heart and character.

With balloons and a carousel taking center stage, this nocturnal fantasy will provide a pleasurable lift for young audiences.

When Emma passes the polar bear on the merry-go-round, she notices a message tucked into his saddle: The titular request includes text and a drawing, so pre-readers can help decipher its meaning. On her way to school the next day, the red-haired protagonist affixes a red, polka-dot balloon to the bear’s pole. Returning in the afternoon, she finds a second note requesting more. After the bountiful bunches are attached to the animal, the pair is carried aloft through the sunset and the stars until they reach the snowy Arctic and, in a double gatefold opening, the “polar bear rumpus.” Lined paper, spattered night skies, and washes of white paint over maps and algebraic equations infuse Ward’s cut-paper, pencil and watercolor collages with texture and interest. Her brilliantly hued days contrast with the midnight blue journey and return home. The plot comes full circle when a new message is found. Although this has a stronger storyline than the author’s When Blue Met Egg (2012), a book that felt like a vehicle for collages of New York City, Ward’s dramatic arc is weak, and the voice needs stylistic development.

Enjoy for the subject matter and design, search elsewhere for heart and character. (Picture book. 3-5)

Pub Date: Oct. 17, 2013

ISBN: 978-0-8037-3878-2

Page Count: 32

Publisher: Dial Books

Review Posted Online: Aug. 2, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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PIG THE PUG

From the Pig the Pug series

Children who love dogs will find this amusing the first time through, but the humor palls quickly.

In rhyming text, a bug-eyed pug named Pig stubbornly refuses to share with the almost equally bug-eyed Trevor, the “wiener dog” he lives with—and soon gets his comeuppance.

The book begins showing the eponymous dog astride a large, red bowl of dog food, tongue hanging out and all four paws gripping the bowl. It perfectly matches the text: “Pig was a Pug / and I’m sorry to say, / he was greedy and selfish / in most every way.” A bit of humor comes through when the text plays on the adage about pigs by reminding readers that “pugs cannot fly.” However, most of the text is composed of trite, tired rhymes. The ending is a punch line whose funny picture will have little ones giggling. However, the ultimate “lesson” is a rather dark cynicism, more appropriate to children older than the age suggested by the rhymes, the art, and even the publisher. There may be some vicarious thrills for those who have witnessed excessive selfishness. The artwork is humorous, although Pig’s appearance is sometimes more grotesque than funny—particularly when he shouts at Trevor. Both male dogs’ facial expressions and body language add to the humor, and dog lovers will appreciate Pig’s array of colorful toys. Scansion is spotty, which should not happen in verses so dependent on rhythm and rhyme to entertain their young audience.

Children who love dogs will find this amusing the first time through, but the humor palls quickly. (Picture book. 3-5)

Pub Date: Dec. 27, 2016

ISBN: 978-1-338-11245-0

Page Count: 32

Publisher: Scholastic

Review Posted Online: Aug. 29, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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