Norwegian author and critic Ullmann debuts with this intriguing, looping meditation on the history of the Blom family, told by young Karin in jagged, emotionally oblique prose. The Blom family comprises a slightly skewed group is recalled primarily through the lives of three generations of its women. The story begins with the wedding of Karin’s sister, Julie, to Aleksander in 1990, a ceremony 20-year-old Karin can—t take seriously, given her family’s luck with marriage. Karin confides her beliefs about the crucial utility of lying, and the entertainments of eagerly pursuing men, then abruptly rejecting them—a sensibility that is somehow strangely engaging. These curious attributes are the fruition of family tendencies, beginning with Rikard Blom, Karin’s grandfather, who immigrated to America in 1931, found immediate success as a costume maker, and fell in love with Selma, though he finally married her sister, June. Rikard dies as WWII ends, and June takes her daughters, Anni and Else, back to Norway. Anni grows up to be a stunning beauty, but her husband—a kind, distant, amused observer—leaves their family behind, after which Anni (whom daughter Karin considers entrancing and mad) continues with a series of male hobbies who occupy her love life. Meanwhile, Julie, Anni’s more introverted daughter, becomes pregnant and gives birth about the time her husband’s infidelities are revealed. Julie and Aleksander leave for an Italian vacation intended to heal their ruptured marriage, and Karin cares for their boy, Sander. In the Blom family, Karin realizes, emotional truths and external realities have never matched up, and she’s comforted to find that Sander represents one of the few moments in which “everything is the way it’s supposed to be.” Density accrues in vivid, impressionistically recalled scenes, rather than in sophisticated plot devices, and the emotional acuity is highly original, and often absorbing. (Author tour)
Pub Date: Oct. 1, 1999
ISBN: 0-670-88698-X
Page Count: 352
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1999
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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