This engaging tale may help young readers grappling with big feelings keep their cool.
A teapot learns techniques to help manage his emotions instead of boiling over in this picture book.
Terrance is a little teapot full of huge feelings: “Things never felt small to Terrance. They always felt big and hot.” Granny reminds Terrance before school of what his speech therapist taught him: decide if he’s at a simmer, a steam, or a boil when gauging his emotions. At school, Terrance gets upset over small things: not getting to go first at tea-ball and being told a teapot joke by Lanie Cup. In therapist Lady Grey’s office, Terrance explores his feelings and why he’s upset; he realizes that Lanie isn’t teasing, she just wants to be his friend. When he has the chance to play a game with Lanie at recess, he simmers down and suggests taking turns. Cloherty adapts real-world techniques that encourage balanced emotional responses to a pun-filled story. Teacups, pots, glasses, kettles, and spoons populate this imaginary world, making metaphoric emotional responses literal. The author transforms some complex ideas into accessible language, making it easy for young readers and adults to discuss ways to apply techniques, guided by prompts and descriptions in the backmatter. Additional text and milestones provide helpful resources for adults. Lopez’s cartoon illustrations deftly portray Terrance’s steaming responses, and the kid-friendly designs and compositions will encourage reader giggles.
This engaging tale may help young readers grappling with big feelings keep their cool.Pub Date: Feb. 22, 2022
ISBN: 978-1-58041-279-7
Page Count: 36
Publisher: ASHA Press
Review Posted Online: March 21, 2022
Kirkus Reviews Issue: May 15, 2022
Review Program: Kirkus Indie
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
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