An accessible story that entices readers to slow down and enjoy a moment (maybe five?) in its company
Collaborators Scanlon and Vernick (Dear Substitute, 2018, etc.) team up once again to explore the relativity of time.
Five minutes is just 300 seconds, but it can feel like an eternity when waiting in line or sitting in traffic. Five minutes is never enough time to prepare for something scary and definitely insufficient for roller-coaster rides and bedtime stories. From play time to chore time, children and adults alike will sympathize with the young protagonist as the child vacillates between interminably long and painfully brief five-minute stretches in daily life. The sparse and simple text repeats the “five minutes” refrain ad infinitum but invites readers to delve into Tallec’s energetic and expressive pencil and acrylic illustrations, which communicate the wide-eyed anxiety, frustration, and contentment as the clock ticks along. The child writhes with discomfort in line for the bathroom and jumps up and down with impatience at suppertime, both circumstances children will instantly recognize. Careful pacing helps to stretch out five-minute eternities and provide funny juxtapositions, as in two contrasting scenes at the dentist’s office. The book also opens itself to exploration of concepts of emotional intelligence, patience, and the passage of time. The child appears biracial, with a white-presenting dad and brown-skinned mom.
An accessible story that entices readers to slow down and enjoy a moment (maybe five?) in its company . (Picture book. 3-5)Pub Date: Sept. 17, 2019
ISBN: 978-0-525-51631-6
Page Count: 32
Publisher: Putnam
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Let these crayons go back into their box.
The Crayons return to celebrate Easter.
Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)
Let these crayons go back into their box. (Picture book. 3-5)Pub Date: Feb. 7, 2023
ISBN: 978-0-593-62105-9
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Sweet.
A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.
With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”
Sweet. (Picture book. 3-5)Pub Date: Dec. 3, 2019
ISBN: 978-1-68412-910-2
Page Count: 32
Publisher: Silver Dolphin
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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