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THANK YOU, GARDEN

Joining a bumper crop of gardening titles, this suffices without standing out.

A diverse, intergenerational community works together in an urban garden.

Scanlon’s spare, rhyming text reads like an upbeat playground chant: “Garden ready, / garden new // Garden so much / work to do!” Verses cheerfully acknowledge the garden’s denizens—humans, flora, and fauna—as well as the chores and patience that yield the harvest. Shin’s flat, minimalist paintings depict four square raised beds with a red picnic table at their center. Stylized plants, some identifiable, most not, populate the plots rather primly, with lots of soil in between; only the tomatoes vine and twine with genuine exuberance as days pass. Children work, but the littlest two primarily play—with small vehicles, water, mud, and the garden’s critters. Though many skin tones are represented among the seven gardeners, facial features are rudimentary: black dots for eyes, red triangular noses, black crescents and triangles for mouths. Outfits change throughout, adding interest, and readers can spot a toy garden gnome that appears frequently. As the group prepares to gather at the table for a big salad, veggies, and luscious strawberries, Scanlon closes with lines of metaphor and gratitude: “Garden growing like a child, / rosy, / leggy, / fresh, and wild— // Wild in this muddy mess, / garden, thank you…. // Garden, yes!”

Joining a bumper crop of gardening titles, this suffices without standing out. (Picture book. 3-6)

Pub Date: March 3, 2020

ISBN: 978-1-4814-0350-4

Page Count: 32

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Oct. 26, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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DIGGERSAURS

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...

Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.

The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)

Pub Date: April 2, 2019

ISBN: 978-1-9848-4779-9

Page Count: 32

Publisher: Random House

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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