A sweet celebration of the different notes that create the song of family.
What does it mean to be a family?
Arturo and his sister, Emilyn, who are of Chinese and Latine heritage, seek inspiration for Emilyn’s poem about their family as they set off to pick up supplies for a big party. From the delicious cakes at Tía Cari’s bakery to the colorful kites at Yeh Yeh’s toy shop to dominoes at Abuelo’s house, they discover something at each stop that sparks their imaginations. Their family members may be different from one another, but just like ingredients in a cake, colors in a rainbow, or notes in a song, they are part of something special together. The story engages the senses, whether it’s the sound of oil in Amah’s wok going “ping-ping-ping,” the scent of Tía’s pastries, or the sensation of a falling petal fluttering on Arturo’s face like Mama’s kisses. All these moments help evoke a relatable feeling of familial love. The title could have benefitted from a glossary or more context for readers unfamiliar with terms in Chinese or Spanish such as dan tat or palmita. Still, the message of the beauty in united differences shines through. Digitally rendered watercolor, gouache, ink, and colored pencil illustrations bring to life a cast of wide-eyed, big-headed characters whose love for one another is apparent. The author’s note reveals that the story was inspired by her own journey to embrace her multiracial background. (This book was reviewed digitally.)
A sweet celebration of the different notes that create the song of family. (Picture book. 4-8)Pub Date: May 2, 2023
ISBN: 9780062970541
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: April 15, 2023
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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