An absorbing analysis of a long-standing search for identity in writing and life.
An award-winning writer chronicles her late-in-life gender transition.
This memoir charts Sante’s recent transition from male to female in her late 60s. Her commentary alternates between explaining the challenges of her decision and reflecting on earlier moments in a life marked by gender dysphoria. The author provides detailed and engaging descriptions of the process of transitioning, from choices about makeup, clothing, and drug therapies, to making connections with community support groups and handling the delicate protocols of coming out to friends and co-workers. Sante delivers sharply rendered sketches of bohemian New York, where the author has spent much of her life. At the beginning of the book, Sante describes how she experimented with FaceApp’s “gender‑swapping feature.” Looking at the digitally altered images—many of them included here—produced “one shock of recognition after another” and the sense that what she saw was “exactly who I would have been” at various stages of her life, from childhood to middle age. In tracking her own long-standing self-evasions, Sante offers perceptive commentary on the psychological dynamics that led her to delay the process of fully assuming a female identity. A poignant irony, sensitively explored over the course of the memoir, is that her writing career sought to expose important truths in the social communities she inhabited, especially among those with nonconformist lifestyles, while privately she denied a fundamental truth about herself. Also insightful is Sante’s broader societal analysis, which locates her struggles within a culture that seems to both covertly acknowledge and severely punish gender fluidity. The memoir concludes with a justifiable expression of hope that the author’s experiences might be instructive to those seeking to understand transition and the personal and social complexities it can pose.
An absorbing analysis of a long-standing search for identity in writing and life.Pub Date: Feb. 13, 2024
ISBN: 9780593493762
Page Count: 240
Publisher: Penguin Press
Review Posted Online: Oct. 28, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PROFILES
SEEN & HEARD
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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