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JANE AUSTEN AT HOME

A BIOGRAPHY

A charming, well-researched journey to “Austen-land.”

A fresh, spirited look at the beloved author by a self-proclaimed “Janeite.”

British historian Worsley (Maid of the King’s Court, 2017, etc.), chief curator of Historic Royal Palaces, is steeped in the world of Georgian England, where Jane Austen (1775-1817) lived, wrote, and set her novels. In a biography as brightly entertaining as it is erudite, the author offers a richly detailed portrait of Austen, her various homes, and her social context. In what she admits is a “crowded field” of Austen biographies and critical studies, Worsley takes a wry, sometimes-irreverent perspective, grounded in a deep knowledge of Austen’s fiction; letters to, by, and about her; and seemingly every bit of scholarship, criticism, and biographical inquiry relevant to her. Although her sources are abundant, there are still gaps, and Worsley occasionally resorts to “would have,” “might have,” and “it is easy to imagine” as she narrates Austen’s life. Nevertheless, she is so reliable a historian that her speculations seem well-founded. She reads Austen’s correspondence with uncommon empathy, discovering “dense detail of domestic life” in letters that some biographers have dismissed. Investigating Austen’s possible suitors, Worsley cautions against treating her subject “like just another modern person, reacting to the situations in exactly the same way as the writer would him or herself.” An 18th-century woman might have far different feelings about romance, she argues; Austen, she believes, had a series of suitors, one of whom proposed marriage. Austen accepted him only to change her mind the next day. Her writing career had a slow start, but Pride and Prejudice, published in 1813, garnered “terrific sales” and strong reviews, becoming “a wild, noteworthy, enviable success” that buoyed Austen’s confidence and made her a celebrity among her neighbors. Worsley gives sharply drawn pictures of domesticity in the many homes that Austen inhabited, including her family’s rented houses in Bath and residences where she, her widowed mother, and sister visited as guests before they settled in Chawton, a site of pilgrimage for Janeites.

A charming, well-researched journey to “Austen-land.”

Pub Date: July 11, 2017

ISBN: 978-1-250-13160-7

Page Count: 384

Publisher: St. Martin's

Review Posted Online: April 16, 2017

Kirkus Reviews Issue: May 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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