This is a comprehensive, fact-filled, and stunningly illustrated history of the Statue of Liberty. It begins with an explanation of why the French came up with the idea in the first place, and how the brilliant young sculptor Frederic-Auguste Bartholdi became interested in the project that was to be his obsession for the next 15 years. Bartholdi decided where the statue must stand as soon as he laid eyes on what is now Liberty Island. “Here . . . my statue must rise; here where people get their first view of the New World.” A brief description of neoclassicism is followed by the history of the statue’s construction and the engineering feats it required. The statue was constructed in separate stages and, after the head was built, it was exhibited in the Paris Universal Exposition of 1878. The head was pulled through the streets of Paris in a cart pulled by 13 horses (the double-page spread of Liberty’s head crossing a bridge in Paris is alone worth the price of the book). There are hardly any women mentioned or pictured in the book, and Curlee addresses this by pointing out the irony that the statue exemplifying the spirit of liberty was erected at a time when women didn’t even have the right to vote. Acrylic paintings reproduced in full color from photographic transparencies are the artistic medium, and the appealing, interesting palette of blues, blacks, and bronzes captures the ambition and majesty of the project. While the text is occasionally pompous, and perhaps not as much fun as the Betsy and Guilio Maestro book on the same subject, Liberty is an engaging and useful resource for the classroom and library. (specifications, timeline, bibliography) (Picture book/nonfiction. 8-12)
Pub Date: May 1, 2000
ISBN: 0-689-82823-3
Page Count: 42
Publisher: Atheneum
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2000
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
A fast and funny alternative to the Wimpy Kid.
Black sixth-grader Jake Liston can only play one song on the piano. He can’t read music very well, and he can’t improvise. So how did Jake get accepted to the Music and Art Academy? He faked it.
Alongside an eclectic group of academy classmates, and with advice from his best friend, Jake tries to fit in at a school where things like garbage sculpting and writing art reviews of bird poop splatter are the norm. All is well until Jake discovers that the end-of-the-semester talent show is only two weeks away, and Jake is short one very important thing…talent. Or is he? It’s up to Jake to either find the talent that lies within or embarrass himself in front of the entire school. Light and humorous, with Knight’s illustrations adding to the fun, Jake’s story will likely appeal to many middle-grade readers, especially those who might otherwise be reluctant to pick up a book. While the artsy antics may be over-the-top at times, this is a story about something that most preteens can relate to: the struggle to find your authentic self. And in a world filled with books about wanting to fit in with the athletically gifted supercliques, this novel unabashedly celebrates the artsy crowd in all of its quirky, creative glory.
A fast and funny alternative to the Wimpy Kid. (Fiction. 8-12)Pub Date: March 28, 2017
ISBN: 978-0-553-52351-5
Page Count: 144
Publisher: Crown
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
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