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THE RELUCTANT FLOWER GIRL

April’s big sister Annabel is her best friend, even though she’s older. “Once I brought Annabel to my school for show-and-tell,” she confides. “And once she brought me to her office to staple papers together.” But when Annabel’s boyfriend Harold proposes, April is pretty upset. Even though she gets to be flower girl and help Annabel pick out her wedding dress, she tries to sabotage the whole thing in regular kid ways: she spills ketchup on Harold and hides her pet snake in the bathroom when he goes to clean up. But the day of the wedding, when the ring pops from the best man’s hand to roll out of sight, it’s April who spots it and saves the day. And when she goes up to her now single room, she finds a very loving note from her sister and her husband, promising sleepovers—and mallomars. The illustrations are energetic ink-and-watercolors, full of roses and wedding paraphernalia, and the sisters, while far apart in age, share red hair and impish expressions. Pair with Gary Soto’s Snapshots from the Wedding (1997) for a child’s-eye look at a family celebration. (Picture book. 4-8)

Pub Date: May 31, 2001

ISBN: 0-06-028809-4

Page Count: 40

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2001

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HANSEL AND GRETEL

Menacing and most likely to appeal to established fans of its co-creators.

Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.

In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.

Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)

Pub Date: Sept. 2, 2025

ISBN: 9780062644695

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 15, 2025

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BUFFALO FLUFFALO AND PUFFALO

From the Buffalo Fluffalo Story series

An endearing ode to big siblinghood.

A buffalo is disconcerted when his daily routine is disrupted by a newborn.

Kalb begins with the playful rhymes and rhythms she employed in Buffalo Fluffalo (2024). Fluffalo, having learned a lesson in cooperation in his earlier outing, happily cavorts with Ram, Crow, and Prairie Dog before enjoying some thoughtful alone time and then settling down to sleep at dusk. A loud wailing sound wakes him at dawn and continues into daybreak. “‘What could that be?’ huffed tired old Fluffalo. / ‘I’ve said it before—I’ve had enuffalo!’” When he discovers that the sound is coming from a tiny buffalo, he becomes both irate and alarmed. Fortunately, his friends show up and assure him that the little one just needs some time to learn and grow. Fluffalo calms down and admits that the baby is a bit cute—something readers will have already realized, thanks to Kraan’s sweetly imaginative art. In the ensuing pages, Fluffalo mentors the loving Puffalo, including the baby in his daily activities and fielding (some of) Puff’s many questions. Readers with younger siblings will appreciate the subtle acknowledgment that Fluffalo’s new role can be taxing, but overall, the tale affirms the joy of mentoring, while the colorful, stylized art perfectly complements the upbeat verse. It’s easy to imagine an older child reading this story to a younger one at bedtime.

An endearing ode to big siblinghood. (Picture book. 4-8)

Pub Date: Sept. 30, 2025

ISBN: 9780593810309

Page Count: 40

Publisher: Random House Studio

Review Posted Online: June 13, 2025

Kirkus Reviews Issue: July 15, 2025

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