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GRAYSON

Nonetheless, an inspirational, almost spiritual read, perfect for gift-giving.

In a sequel of sorts to Swimming to Antarctica (2004), renowned distance swimmer Cox tells the story of an ordinary practice swim that took a decidedly extraordinary turn.

She was about to wrap up her workout when she realized that she was being followed by a baby whale, who had somehow been separated from his mother. Cox was dog-tired, but realized that if she came ashore, the whale would try to follow her and would die. So she stayed in the water for hours, swimming around with the baby she dubbed Grayson, waiting and watching and hoping his mother would return. Cox vividly recreates the experience of the exhausting swim. Commenting on her hunger, she writes: “All I wanted was a . . . cup of hot chocolate with a mound of whipped cream as big as Big Bear Mountain in the distance . . . or carrot cake with pecans and cinnamon and clove, pineapple and coconut, or a slice of hot apple strudel—any of these would do.” The narrative transports readers to the majestic, wonderful world of the ocean, filled with dolphins, small fish and odd plants. When Grayson’s mother finally turns up, Cox is astounded by her size, her girth, the barnacles on her chin, the rubbery roughness of her cheek. Still, transforming the story of one afternoon into a book-length fable, even a short book-length fable, is a bit of a stretch. The tale is burdened with overwrought musings on the meaning of the time spent with Grayson: “The waiting is as important as the doing; it’s the time you spend training and the rest in between; it’s the painting the subject and the space in between.”

Nonetheless, an inspirational, almost spiritual read, perfect for gift-giving.

Pub Date: Aug. 5, 2006

ISBN: 0-307-26454-8

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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