Wonderfully ridiculous in premise and execution and abounding in creative touches, this will surely spark student spinoffs.
Having recovered from the world-destroying science project she created in the first Oh No! (2010), Barnett’s overachiever has a new dilemma: Her history test is returned with one point off for an incorrect answer.
Noting that “Belgium” is not the country where the oldest prehistoric cave paintings exist, she devises a solution completely out of proportion to the problem. Using a “Phun Times” Kiddie Pool as a foundation, she builds a time machine to alter history. After a few glitches (landing in a pre-Neanderthal world and then in the French Revolution), she finds her Belgian cavemen. As in the companion story, the digital compositions are framed with black horizontal borders and marked with white vertical lines to establish a cinematic context. The plot unfolds through speech bubbles, the faux-technical diagrams on graph paper covering the endpapers and the extremely funny actions and expressions of Santat’s caricatures. Children will relish the two cavemen’s antics: They stick paintbrushes in their noses, chomp on the palette and spray paint each other. The duo gives the transporter a spin while the frustrated scholar decorates the cave herself. She emerges to find one sporting Napoleon’s hat, a Roman chariot speeding by and other anachronisms—not to mention an “F” on her test, now that history has been rearranged.
Wonderfully ridiculous in premise and execution and abounding in creative touches, this will surely spark student spinoffs. (Picture book. 5-8)Pub Date: June 5, 2012
ISBN: 978-142314912-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: April 15, 2012
BOOK REVIEW
BOOK REVIEW
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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