Not exactly groundbreaking, but still a sweet and timeless lesson.
A boy leaves home to find the answer to the age-old question, “What is love?”
In this homey parable told in first person, an unnamed narrator asks his grandmother what love is, but instead of answering, she encourages him to go out into the world to find the answer. What follows is an episodic meeting of characters incorporating a bracketed refrain. “What is love?” the boy asks each character he meets. Each one then likens love to something that is meaningful to their life: The fisherman believes that love is a fish, the actor insists that love is applause, the carpenter thinks it is a house, and so on. However, the literal-minded boy is unconvinced by each character’s arguments. Fish are slimy and taste bad, applause is ephemeral, and hammers are dangerous. The encounters all end the same way: “You do not understand,” each character sighs. It is not until he returns as a grown man back home to his grandmother that he finally does. Static watercolor illustrations accompany the tale, giving the impression of a collection of still lifes rather than an immersive journey. And while the simplicity works well with the folk feeling and dry humor of the storytelling, it may not be the most engaging for young readers. The lesson, however, is eternal. Both boy and grandmother have beige skin, the boy’s hair black and the grandmother’s gray; other characters met are racially diverse.
Not exactly groundbreaking, but still a sweet and timeless lesson. (Picture book. 4-8)Pub Date: Oct. 26, 2021
ISBN: 978-1-4521-7640-6
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
BOOK REVIEW
BOOK REVIEW
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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