A haunting exploration of age, class, love, and loss that demands to be read and read again.
A deeply affecting novel, first published in Hungary in 1987, from one of Europe’s most prominent modern writers.
Szabó’s narrator, not coincidentally named Magda, recalls an emotionally fraught 20-year relationship with her housekeeper. As the book opens in postwar communist Hungary, a decadelong political freeze on her writing career has been lifted and Magda seeks out a domestic helper to care for her and her husband’s new home in Budapest while she begins to write again. Through an old classmate’s recommendation, she meets Emerence Szeredás, an inscrutable older woman built like a “mythological hero” whose years of experience working in the neighborhood have rendered her a revered and almost iconic figure in town. Right off the bat, Magda learns that Emerence won’t just work for anybody: “This was the first time anyone had required references from us.” And after hijacking the interview, Emerence waits a whole week before appearing again to accept the job. Though beloved by many, Emerence keeps her complicated history private and lives alone in a flat—hermetically sealed off from the rest of the world—that even her closest friends are forbidden to enter. From the start of their relationship, Magda is perplexed by the enigmatic woman who is so unlike her—a peasant, “anti-intellectual,” and staunch atheist—but who moves and speaks with an inimitable elegance (“Emerence…was perfect in every respect; at times oppressively so”) and shows a resolute indifference toward Magda for the first five years of her employment. As the years wear on, though, an intimacy manifests between the two that can only be described as landing somewhere between an endearing mother-daughter relationship and that of a contemptuous love affair. Their story is utterly compelling and often unnerving. Magda turns to Emerence for affirmation, and Emerence doles out her affection for Magda in peculiar, sometimes volatile, acts, eventually making the grand gesture of inviting Magda into her apartment. But things take a turn for the worse and terror ensues when Magda’s career takes off and Emerence falls gravely ill. Szabó discerns the complex nature of human emotion with sensitivity and prowess in this hypnotizing work of art.
A haunting exploration of age, class, love, and loss that demands to be read and read again.Pub Date: Jan. 27, 2015
ISBN: 978-1-590-17771-6
Page Count: 288
Publisher: New York Review Books
Review Posted Online: June 21, 2016
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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