At its best, this is an accessible guidebook for creating fiction that illustrates the complexity of the process while...
In this second collaboration inspired by their writing blog (The Curiosities, 2012), three fantasy novelists aim to illuminate their craft through stories created for that purpose.
Stiefvater’s Petra is a bright, klutzy teen with a gift for oratory, hired to read to an elderly shut-in who affirms Petra’s undervalued gifts while modeling the gracious poise Petra longs for. Though grateful, Petra senses a sinister, hidden agenda at work. In Gratton’s novella, set in a world recovering from war, a young, disillusioned soldier returns to the site of his deployment, this time to deactivate deadly bombs, and there finds love that draws him out of his comfort zone. Yovanoff’s tale, in several iterations, portrays a girl haunted by a boy recently drowned in a shallow creek. Through short essays and annotations, the authors share the challenges and dilemmas they faced writing these stories. Stiefvater and Gratton, especially, offer advice and encouragement to aspiring writers: tips on characterization, worldbuilding, theme, revision, and more; they point out where and why they changed, condensed, or deleted scenes. Yovanoff’s tale is weakest, the dead teen serving mainly to showcase the protagonist’s sensitivity and alienation, and it conveys a chilly narcissism that distances readers. That is echoed in vague, abstract annotations too inward-looking to empower novice writers.
At its best, this is an accessible guidebook for creating fiction that illustrates the complexity of the process while offering practical tips for managing it. (Fiction. 12-18)Pub Date: Oct. 1, 2015
ISBN: 978-1-4677-2398-5
Page Count: 296
Publisher: Carolrhoda Lab
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.
A family’s secrets rise to the surface as a young man investigates a suspected murder.
Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)Pub Date: Oct. 28, 2025
ISBN: 9781250376299
Page Count: 368
Publisher: Feiwel & Friends
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
