An enthralling meditation on place.
A longing for home sends the author around the world.
In a memoir remarkable for its intimacy, wisdom, and radiant prose, Scottish singer/songwriter Tallack (Fair Isle: Through the Seasons, 2010), who was born in Shetland and lives in Glasgow, follows the 60th parallel, the border marking the harsh, remote northern regions from the more populous south. His purpose, though, is not to produce a travelogue about ruggedly exotic landscapes but to ask a philosophical question: “where am I?” From the age of 10, living in the Shetlands with his mother and brother after his parents divorced, he felt alienated and uprooted, which later intensified into “an unshakable feeling of exile and of homesickness” and an urge to find a place where he belonged. His father’s sudden death, when the author was 16, further fueled his restlessness and inspired his journey. Leaving Scotland, he headed west to Greenland, Canada, Alaska, Siberia, St. Petersburg, Finland, Sweden, and Norway before returning home. At each stop, his observations include not only a close examination of geology, geography, flora and fauna, but also history, myth, art, and literature. Tallack discovers a palimpsest of lives: he traces the arrival of Norsemen in Greenland at the end of the first millennium C.E., for example, where they encountered peoples “whom they called skraelings: wretches,” with whom they co-existed in “an uneasy balance.” The author offers a capsule history of opulent, besieged St. Petersburg, whose architecture, an amalgam of European styles, reflects the grand designs of various czars and czarinas. He also fell in love, unexpectedly, with Kamchatka, in desolate Siberia: “there was a stillness at its heart that seemed to calm, temporarily, the restlessness in my own.” He felt the same “deep centredness and settledness” in Fair Isle, an island off Scotland, and stayed for three years before loneliness impelled him back to Shetland. Throughout, Tallack renders descriptions of his emotional landscape as delicately as his painterly descriptions of the physical world.
An enthralling meditation on place.Pub Date: July 15, 2016
ISBN: 978-1-68177-146-5
Page Count: 248
Publisher: Pegasus
Review Posted Online: April 30, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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