Sweet fun for storytime and bedtime.
When the titular tall man and small mouse finally discover they’ve been sharing a house, they quickly become collaborators.
The book begins with the pleasant sound of a nursery rhyme: “On a tall hill / in a tall house / lived a tall man / and a small mouse.” Here and throughout, the text is large, easily seen against pale backgrounds. Whimsical, lightly lined drawings with watercolor washes keep the mood light and comforting. The tall man—who is white and also comically thin—does “tall things / that needed doing,” such as picking apples and rescuing cats and kites from trees. The small mouse, who creeps around the house while the man sleeps, wears a dress and a hooded cape from which large, white ears protrude. She excels at getting into tiny spaces and moving small items, restoring lost bits and pieces to the man. The minor crisis of the book occurs when, after a long day of effort, the tall man cannot figure out how to fix the town’s tower clock. (There is no evidence of anyone else worrying whether the clock works, but it’s obviously important to the tall man.) A funny sequence of vignettes as he gets dressed the next morning concludes with him almost stepping on the mouse, who had been sleeping in his tall, old-fashioned shoe. Gentle rhymes and rhythm combine with equally gentle art as the two characters become a working team and then friends.
Sweet fun for storytime and bedtime. (Picture book. 3-6)Pub Date: Feb. 12, 2019
ISBN: 978-1-5362-0168-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: Dec. 4, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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