This appealing concoction is a powerful reminder of the good one person can do.
Rockliff and Kirsch introduce a lesser-known figure who demonstrated patriotic fire by baking bread for the Continental Army.
It is fitting that throughout the tale our hero is simply called the baker—curious youngsters only learn his name, Christopher Ludwick, in the closing author’s note. Brisk, playful text sketches Ludwick’s life and cheerful, generous nature. Although too “old and fat” to fight, when he learns the troops are hungry, “[t]he baker roll[s] up his sleeves. ‘No empty bellies here,’ he [tells] General Washington. ‘Not in my America!’ ” This is his refrain, and it is clear that this German immigrant, a gingerbread baker by trade, believes in liberty and opportunity. In fact, he volunteers to share this information with the foreign soldiers who arrive on our shores. Children must infer they are Hessians, a detail later confirmed in the author’s note. Bright watercolor illustrations resemble decorated gingerbread and burst across the double-page spreads as if barely able to contain this spirited patriot and his enormous contribution. The author’s note provides more information about Ludwick’s life and philanthropic efforts.
This appealing concoction is a powerful reminder of the good one person can do. (sources, recipe) (Informational picture book. 5-9)Pub Date: Jan. 13, 2015
ISBN: 978-0-544-13001-2
Page Count: 32
Publisher: HMH Books
Review Posted Online: Oct. 21, 2014
Kirkus Reviews Issue: Nov. 1, 2014
Utterly compelling.
The authors of Fatty Legs (2010) distill that moving memoir of an Inuit child’s residential school experience into an even more powerful picture book.
“Brave, clever, and as unyielding” as the sharpening stone for which she’s named, Olemaun convinces her father to send her from their far-north village to the “outsiders’ school.” There, the 8-year-old receives particularly vicious treatment from one of the nuns, who cuts her hair, assigns her endless chores, locks her in a dark basement and gives her ugly red socks that make her the object of other children’s taunts. In her first-person narration, she compares the nun to the Queen in Alice in Wonderland, a story she has heard from her sister and longs to read for herself, subtly reminding readers of the power of literature to help face real life. Grimard portrays this black-cloaked nun with a scowl and a hooked nose, the image of a witch. Her paintings stretch across the gutter and sometimes fill the spreads. Varying perspectives and angles, she brings readers into this unfamiliar world. Opening with a spread showing the child’s home in a vast, frozen landscape, she proceeds to hone in on the painful school details. A final spread shows the triumphant child and her book: “[N]ow I could read.”
Utterly compelling. (Picture book/memoir. 5-9)Pub Date: April 1, 2013
ISBN: 978-1-55451-490-8
Page Count: 32
Publisher: Annick Press
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
A beautifully designed book that will resonate with children and the adults who wisely share it with them.
An inspirational ode to the life of the great South African leader by an award-winning author and illustrator.
Mandela’s has been a monumental life, a fact made clear on the front cover, which features an imposing, full-page portrait. The title is on the rear cover. His family gave him the Xhosa name Rolihlahla, but his schoolteacher called him Nelson. Later, he was sent to study with village elders who told him stories about his beautiful and fertile land, which was conquered by European settlers with more powerful weapons. Then came apartheid, and his protests, rallies and legal work for the cause of racial equality led to nearly 30 years of imprisonment followed at last by freedom for Mandela and for all South Africans. “The ancestors, / The people, / The world, / Celebrated.” Nelson’s writing is spare, poetic, and grounded in empathy and admiration. His oil paintings on birch plywood are muscular and powerful. Dramatic moments are captured in shifting perspectives; a whites-only beach is seen through a wide-angle lens, while faces behind bars and faces beaming in final victory are masterfully portrayed in close-up.
A beautifully designed book that will resonate with children and the adults who wisely share it with them. (author’s note, bibliography) (Picture book/biography. 5-8)Pub Date: Jan. 2, 2013
ISBN: 978-0-06-178374-6
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 18, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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