An effective biographical portrait that will serve well until Lamar writes his own retrospective.
The first book-length treatment of one of the decade’s most successful artists.
In July 2020, Kendrick Lamar achieved new headlines when it was announced that his 2012 album, good kid, m.A.A.d city, became the longest-charting hip-hop album in U.S. history, amassing over 400 weeks on the Billboard 200 album chart. That record crowned the Compton poet as fresh royalty in the hip-hop scene, which was further underscored by a fiery, confrontational verse on Big Sean’s “Control.” In 2015, Lamar released To Pimp a Butterfly, which struck a chord with a new generation of Black activists reveling in the international consciousness of Black struggle. Following the buzz surrounding Butterfly, Lamar was pushing into territory where only the timeless emcees live. In his first book, Brooklyn-based music journalist and cultural commentator Moore, who has written for the Nation, Entertainment Weekly, and the Atlantic, among other publications, shows that he’s been around the block, pulling together hundreds of sources from interviews and headlines over the years. He convincingly shows his subject’s transition from his first moniker, K-Dot, to Kendrick Lamar, as well as the development of the now-powerhouse label Top Dawg Entertainment. Early on, writes the author, “he rapped under the name K-Dot, his fire-spitting alter ego. K-Dot wasn’t about uplifting communities; he wanted to decimate everything in sight. The young man had all the technical prowess, the complex sentence structures, and the natural cadence, but he didn’t sound free.” Additionally, the author offers an insightful history of place, a narrative element that must inform any deep reading of hip-hop culture. Throughout his career, Lamar has set an impossibly high standard of confessional intimacy and passionate storytelling (his most recent album, DAMN., won a Pulitzer). In this solid introduction, Moore uses a more general approach, a wise strategy since fans already know that Lamar is the most reliable narrator of his own story. One of Kirkus and Rolling Stone’s Best Music Books of 2020.
An effective biographical portrait that will serve well until Lamar writes his own retrospective.Pub Date: Oct. 13, 2020
ISBN: 978-1-982107-58-1
Page Count: 288
Publisher: Atria
Review Posted Online: Sept. 1, 2020
Kirkus Reviews Issue: Sept. 15, 2020
BOOK REVIEW
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
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