A deluxe volume combining the text of the famous anthropologist Margaret Mead and the photographer who worked with her in Bali and Mexico makes a bid for the market of The Family of Man. While the text moves from birth to the last reaches of life in full cycle, the accompanying photographs, although of the highest quality, do not achieve that range. Margaret Mead writes of the family as the continuing source of human life, the cradle, the teaching place for all future endeavor. She writes of mothers whose unconditional love is so essential, of fathers, representing the outside world to which children grow, families from atomic to tribal, brothers and sisters and grandparents, the child alone, friends, and that time when "the old rules lose their meaning," adolescence. Her text has an almost mythic ring as she tells the universal story of man, woman and child. Ken Heyman's pictures reveal the child at the breast, at play, at work, being comforted or taught, by themselves, with parents, grandparents. While together they form a poem in prose and photograph, they do not possess the completeness of human experience that made Family of Man so unique. For those seeking to renew that earlier revelation, the new Family may well speak.
Pub Date: N/A
ISBN: 0025836900
Page Count: -
Publisher: Macmillan
Review Posted Online: May 21, 2012
Kirkus Reviews Issue: June 15, 1965
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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