by María José Ferrada ; illustrated by Ana Penyas ; translated by Elisa Amado ‧ RELEASE DATE: Oct. 27, 2020
Specific yet universal in its narration, this makes the refugee experience accessible to young readers.
On May 27, 1937, 456 children were evacuated from Spain during the Spanish Civil War. This book depicts their trans-Atlantic voyage to Mexico.
Text and illustrations work hand in hand to tell their story. Adults carrying bundles and escorting children arrive at the port where the children are to embark. As the children board, the adults hug them tight. Through the voice of one of the children, readers learn of their fears and expectations. They see the older ones reassuring the younger ones, especially at night. They observe their songs and games, sad re-creations of the war scenes they have witnessed. They experience the voyage, which never seems to end. And finally the children arrive: “We move forward. We think that the war stayed behind. But it’s not true—we bring the war in our suitcases.” By focusing on the children (all depicted as White) and their feelings, the story of their journey becomes the sad, universal one of so many refugee children past and present. Sepia-toned images with the occasional touch of muted reds convey the grimness of the experience. The afterword informs readers the children arrived in Mexico with the expectation their stay would be short and they would soon reunite with their families back home. Little did they know this would be a permanent exile, and most of them would never see their families again.
Specific yet universal in its narration, this makes the refugee experience accessible to young readers. (Picture book. 6-10)Pub Date: Oct. 27, 2020
ISBN: 978-0-8028-5545-9
Page Count: 40
Publisher: Eerdmans
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Shelley Johannes ; illustrated by Shelley Johannes ‧ RELEASE DATE: Sept. 19, 2017
A kind child in a book for middle-grade readers? There’s no downside to that.
Beatrice Zinker is a kinder, gentler Judy Moody.
Beatrice doesn’t want to be fit in a box. Her first word was “WOW,” not “Mom.” She does her best thinking upside down and prefers to dress like a ninja. Like Judy Moody, she has patient parents and a somewhat annoying younger brother. (She also has a perfectly ordinary older sister.) Beatrice spends all summer planning a top-secret spy operation complete with secret codes and a secret language (pig Latin). But on the first day of third grade, her best friend, Lenny (short for Eleanor), shows up in a dress, with a new friend who wants to play veterinarian at recess. Beatrice, essentially a kind if somewhat quirky kid, struggles to see the upside of the situation and ends up with two friends instead of one. Line drawings on almost every spread add to the humor and make the book accessible to readers who might otherwise balk at its 160 pages. Thankfully, the rhymes in the text do not continue past the first chapter. Children will enjoy the frequent puns and Beatrice’s preference for climbing trees and hanging upside down. The story drifts dangerously close to pedantry when Beatrice asks for advice from a grandmotherly neighbor but is saved by likable characters and upside-down cake. Beatrice seems to be white; Lenny’s surname, Santos, suggests that she may be Latina; their school is a diverse one.
A kind child in a book for middle-grade readers? There’s no downside to that. (Fiction. 6-10)Pub Date: Sept. 19, 2017
ISBN: 978-1-4847-6738-2
Page Count: 160
Publisher: Disney-Hyperion
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Shelley Johannes ; illustrated by Shelley Johannes
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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