A sweet but inessential offering for families who desire a bedtime story with a Christian theme.
A gentle bedtime story written as a prayer lists many reasons to be thankful.
An attractive cover shows the pink-cheeked, white child curled up asleep on a crescent moon, with a cozy home in the background. The story opens with the same child in bed with, probably, an older sibling; the prayer begins: “Dear God.” Appealing double-page spreads in soft, dreamy watercolors show a succession of children of diverse skin tones and hair textures, with loving families, friends, pets, and green spaces for play. The loose illustration style uses a flattened perspective reminiscent of a child’s artwork, with equally childlike static depictions of the characters. This naïve style leads to confusion, as it’s not clear whether the child on the cover reappears throughout in inconsistent portrayals, with hair sometimes redder or curlier or skin tone darker, or whether these figures are all entirely different children. Family relationships are also difficult to define. One particularly puzzling illustration, which may be problematic for some readers, shows the child praying at night in her bed with an adult, possibly male figure also under the covers. The short, rhyming text is a bit singsong, with specific references to God in the repeated thank-you pattern. The words “thank you” and other key phrases are set in larger, purple type, with other phrases unnecessarily set in italics. Despite these small drawbacks, the overall tone is soothing and appreciative, with gratitude and caring for others a clear theme.
A sweet but inessential offering for families who desire a bedtime story with a Christian theme. (Picture book/religion. 3-6)Pub Date: Oct. 4, 2016
ISBN: 978-1-4926-4181-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
